|
| untitled (infatuation poem) I know you are merely inches from me but these days inches are expansive wastelands
and I wonder if you look at me across the distance the same way I look at you
squinting wishing (I am imagining a day when you begin a steady walk towards me)
oh, I would meet you halfway oh, do you, too, imagine a day
when we would stand together close enough for our fingertips to brush and that one touch
would be a catalyst
but this loneliness isolates and this distance misrepresents us turning cautiously expressed curiosity in my eyes into sadly discovered ambivalence in yours.
| | |
| The Refugee Comes Home (And Home is a Lovely Place) I wanted you to know the feeling inside my eyes when I am crying, and the feeling inside my bones when I am running away, and how these feelings are poor imitations of the feeling inside my being when you said goodbye.
I wanted you to hear yourself, then-- the way your voice was confident, polite, terrible-- hear yourself the way I could hear you as if your every word was the pound of a gavel
and your sentences: you sentenced me to loneliness you sentenced me to temporary solemnity, which is a result of numbness-- and you sentenced me to the gallows... but there are some things you have no authority to conclude.
I wanted you to watch my eyes as your decisions grew monstrously large and pushed me up the wide steps of a building and out, into the open air, where I could only look down at the tiny simple world below and wish...
I leaned over the edge of that building, wishing, wishing, and I saw a gray world, busy people, dirty streets, and I saw a low place where rain had fallen-- and the puddle was mimicking the sky-- and I leaned over farther and saw the top of a building
and saw two emulated eyes reflecting my loneliness in the sky within that tiny simple world. And only for a moment, I wanted you to recognize the change in my eyes
see how they opened wide as if they recognized an old friend in that tiny simple world. See how they became calm, like reflective pools of rain, and listened
as the old friend told a secret I once knew but could not remember because the secret had tumbled from the top of a high building and had been held captive in a rain puddle.
This secret was about my stolen importance and it was so filled with beauty and truth that could not be denied. And this is why
I stopped wanting you when I found my reflective self--forgotten, held, a sane prisoner in the asylum of my conscious mind, a continual casualty of forgetfulness and sorrow-- and I reclaimed this self as mine.
| | |
| Dear Someone,
I want you so badly you, grinning into the light you, with a voice like the rumble of thunder at a distance you, frozen at a boundary I constructed between us you, infinitely wise
open me up like an envelope and take out what is inside and know that each imperfect stanza inside the envelope of my existence is a celebration of survival
this poetry is primal and I want you so badly to understand it and to bless me.
| | |
| Thin-Skinned I do remember snapping eyelids open to greet the day and your figure was imprinted within the sunlight gently filtering through an open window.
You were so much and so much larger than I-- my body was unaccustomed to feeling fragile, tiny, and windblown--like the seed of a dandelion.
You caught some of these seeds in your wide callused palm when we sat by the river, or when the river ran past us, like the hot tracks of a tear.
I do remember being caught in those palms, my body exposed-- a vessel for secrets, sent flying into the elements: the wind blowing, the earth, the river of tears.
It was those rough palms that threw me, and I do remember your thick voice that resembled so closely the gurgling of a brook when you told me to grow, grow, grow....
| | |
| The "It's a Good Thing You Cannot Die From Being Too Earnest" Poem
I'm sorry that I couldn't tell you three years ago that my face would be a curtain drawn and that you'd have to tug at my strings to unravel truth from my well-intentioned deception.
(I was just trying not to hurt myself on sharp glass because the windowpane behind this curtain is cracked and glittering with trepidation, you see).
You could have made yourself a necklace of woven wildflowers if you just climbed through my window to waltz in that fearless way of yours in the bright sun that paints my empire of cowardice filtering through this curtain of still silk--
and I know you could see it! I know you could see the glow of my contradiction behind diaphanous eyes and I know you're not afraid of cut glass (but your Reason was always a frightened ghost in the face of my radiating Love) and you never bled for me and you never pushed past calm silk and you never unraveled this secret with rough warmth, so
I tied myself in string and sold myself downstream and I do reminisce about who I used to be before I was bought like an animal, and worked for Passions I had never discovered before
but now, in the quiet twilight, my warm body is naked and pure under somebody else's sheets and being a slave and being a queen never appeared so similar to me
I am so sorry because I could not recognize you for the animal you were in the same way you did not know me for the woman I would become and I feel as though we are partners in a crime: heartbreak. And I am so sorry
but this is to say our days of flirting with silk and secrets our days of empty happiness and empty truths were split at the seams with a sound like screeching tires and I was flung forward and I began to cry, but
today is new, and today I sit like a happy captive, for I tell no truths without feeling the weight of each one in my heart so heavy, like a stone that could break the glass of a window that could rustle the dusty silk of a curtain that could wake me from a sound sleep in this twilight of my young soul
I'll be naked, and my eyes will shine brighter than ever and I'll be trembling with the promise of uncovered secrets and warm insistent love. And I'll roll over in somebody else's sheets, closer to a warm new life.
| | |
|